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BEDKNOB (SINGULAR) & BROOMSTICK (NON-PLURAL)
Blog
Posted on Jun 21 2010 by Greg
When Walt Disney was having trouble negotiating with Mary Poppins author P.L. Travers (you can hear what the Sherman Brothers experienced with her on the most recent Poppins soundtrack CD), he had the movie rights to Mary Norton's Bed-knob and Broomstick as a back up.

Poppins was released in 1964, of course, and Bedknobs and Broomsticks (with plurals added to the title) premiered in 1971. The latter film was produced post-Walt and won an Academy Award for Visual Effects (from five nominations including Best Song, "The Age of Not Believing").



This week and next, in ten 15-minute episodes, you can hear Patricia Hodge read an adaptation of dramatization of the original book on BBC Radio 7 (actually, it was two books, The Magic Bedknob and Bonfires and Broomsticks, combined in one volume).

The first episode is here and each will be available for 7 days after their initial airing. There are quite a few differences between the Norton and Disney versions. Enjoy!







WHAT'S UP WITH MY RHEUMATISM, DOC?
Blog
Posted on Jun 16 2010 by Greg
There's another fascinating and fiery thread on Cartoon Brew about the new designs for the upcoming Looney Tunes series. You can read the latest comments here (parental discretion advised, some naughty words).

One of the people, who seems like a nice person and just wants us to get along and be nice, just the same made a bit of a narrow generalization about the naysayers being "old people" and I thought I might share my latest earnest comment here:

Seriously, I hear where you're coming from and, as someone who is also "legit" -- resume and references available on request -- in the industry a long time (but not long enough to necessarily make me "old," mind you), I understand that, if you find yourself among groups of people who get you down, there's a very human tendency to assume that all people of that age/race/gender/corporation/rank/religion/politics/planet/dimension/shoe size are "like that." But they're not.

I also agree that, in the words of Sybil Fawlty, "There's no excuse for rudeness, Basil." And I must repeat, not everyone on this remarkably long thread who criticize the designs, whether rudely or not, are all like those old people you have to deal with. And not all old people are, either. Many embrace change and innovate right up until they're buried.

This is just my little way to prevent hasty generalizations and stereotyping because that sort of thinking can not only hurt people personally, it can cost them their livelihood and can cost organizations the resources of great people who bring them great work and perhaps big profit shares, too.

People of all ages can be resistant to change. Here's some more recent examples: how many people thought "Monk" jumped the shark since Sharona left the show? How about Ellen joining "American Idol?" Or Simon Cowell leaving? Are the complainers all old people?

It's clear that you really don't like folks to be cruel and hurtful. I appreciate your revision to the phrase "change haters," however it was pretty much followed by a "but" and a reiteration of pretty much the same generalization.

Trust me -- annoying people of all ages will cross your path throughout your life and career, especially as you continue and widen your experience in the industry. (My theory has always been that there's an Annoying People Factory somewhere that continually replaces them as they proceed on their annoying way.)

But at that point, you might become old, so what then? You may still continue to appreciate new ideas and embrace change.

What will the next comments be? Will the boy leave the chair? And...what about Naomi?








NANNY AND THE PROFESSOR IN WONDERLAND?
Blog
Posted on Jun 10 2010 by Greg
Here's a cool convoluted thing I just learned. What I was a kid, there was a version of Alice in Wonderland & Through the Looking Glass on those 99-cent Happy Time Records. I finally got a copy when it was reissued as simply Alice in Wonderland on Mr. Pickwick Records, which cost a little more.

I later found out that Alice was played on that recording, produced in England, by none other than Juliet Mills, sister of Hayley and star of the fondly-remembered TV series Nanny and the Professor (available free on Hulu). What I did not know was that this was an adaptation of the 1947 Broadway musical version created by the legendary Eve LaGallienne and Florida Friebus (Dobie Gillis, The Bob Newhart Show).



This production was originally conceived in 1932 and was staged for television in 1983 with Richard Burton, Kaye Ballard and Eve Arden (both stars of TV's The Mothers in Law), Nathan Lane, Donald O'Connor and Kate Burton as Alice. The DVD is available here.

Who knew that such a rich legacy was on a 99-cent record you could buy at Grand Union or Kwik-Chek?







A BRIGHT COMEDIC DAY FOR KNIGHT IN "STARSTRUCK"
Blog, TV
Posted on Jun 09 2010 by Greg
We recently watched a classic episode of the iconic TV series That Girl in which Ann and Donald go on a car trip to meet her parents and encounter comical mishaps along the way. It was carried off brilliantly, in the tradition of film and TV buddy/road comedies that feature a bickering couple. It worked on That Girl and it worked to legendary proportions in It Happened One Night.



It also works, Disney Channel style, in StarStruck, a romantic comedy with pop music starring Sterling Knight of the Channel's series Sonny With a Chance and Danielle Campbell of Disney XD's Zeke and Luther.

The basic story is another wish fulfillment tale for youngsters: a young girl accidentally meets a rock star. There's a fair amount of misunderstanding and teen angst, but the heart of the film is the "two for the road" sequence in which the two stars share mishaps and begin to care for each other. It's surefire when you have a duo with chemistry. Fortunately these two have it.

Campbell is a capable young actress with a lot of potential as a lead who can clearly carry a film, but Knight steals every scene in a role that he apparently won by default (he replaced the errant Cody Lynley). Knight -- who revealed in a Bonnie Hunt Show interview that he got his name from Disney and Hollywood legend Sterling Holloway -- has a true flair for playing the spoiled jerk who you can't dislike, a knowing self-parody of the pretty boy showbiz idol. As he does on Sonny With a Chance, Knight makes the comedy count in a way reminiscent of Michael J. Fox when he became the center of Family Ties. It will be interesting to see where his talent takes him,

The songs are, of course, loaded with appealing hooks that cement them into your head as they were skillfully designed to do. And it's also worth mentioning that the score was by David Lawrence, who also did the High School Musical films and is the son of Steve Lawrence and Eydie Gormé.

The DVD is available with or without a CD soundtrack (a nice option) but is not overloaded with extras other than a few music videos. An audio commentary with these talented young stars would be most welcome.







DISNEY'S "ENCHANTED" WITH A SPOONFUL OF "SUGAR SUGAR"
Blog
Posted on Jun 07 2010 by Greg
One of the greatest singing voices in the music industry, as well as the advertising industry, is that of the great Ron Dante. Not only has he lent his singing and producing talents to The Archies, The Cuff Links and hundreds of commercials from Coca-Cola and Dr. Pepper to General Tire and Appleby's, he also is a Disney fan who has created music for The Little Mermaid series among other things. Oh and he produced albums for Barry Manilow, Cher and others.



But he'll be immortlized as the singing voice of Filmation's Saturday morning CBS cartoon, The Archies (which got over a 40 share at its peak), capable of astounding range that lends itself to multi-tracking perfectly. Forty-one years ago, "Sugar Sugar" from this cartoon group was the number one song of the year, eclipsing yes, The Beatles.

Anyway, I couldn't have been more delighted to hear him singing as well as producing again for Disney on the recent album Happily Ever After, a collection of studio versions of romantic Disney songs. Most are fine reproductions of these tunes by several excellent studio singers, but for the Oscar-nominated "That's How You Know" from Enchanted, Ron Dante does a Caribbean arrangement very reminiscent of his Kirshner days, recalling such songs as "Sunshine" and "Throw a Little Love My Way."

The Ronster's still got it, as his other recent albums also prove. But it's as cool as it can be to hear him doing one of the best Disney songs of recent years. You can download "That's How You Know" alone here or get the whole Happily Ever After album here.












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