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<title><![CDATA[Curious thing about the opening words at Disney's Haunted Mansion...]]></title>
<link>http://mousetracksonline.com/blog.php?subaction=showfull&amp;id=1369358842&amp;archive=</link>
<description><![CDATA[
  <i>Through sight and sound and faceless terror<br>Through endless corridors by trial and error<br>Ahead a blazing light does burn<br>And one door leads to the point of return.</i><br><br>These are the opening words at the Haunted Mansion at Magic Kingdom and Disneyland, right?<br><br>No, these are the words the Ghost Host (Paul Frees) speaks:<br><br><i>When hinges creak in doorless chambers <br>And strange and frighening sounds echo through the halls <br>Whenever candlelights flicker and the air is deathly still<br>That is the time when ghosts are present<br>Practicing their terror in ghoulish delight.</i><br><br>What about the other words? They seem so similar.<br><br><i>Dark Shadows</i>  fans will immediately recognize the verse as part of the infamous Dream  Curse, one of the story arcs in the popular ABC daytime horror/fantasy  soap opera. It's not considered one of the best storylines in the  series, as it's a pretty cheesy plot (and I really like the show). The  dreams are kind of funny rather than terrifying and they begin on <a href="http://www.amazon.com/Dark-Shadows-Collection-7/dp/B0070B9SAA/?_encoding=UTF8&amp;camp=1789&amp;creative=9325" target="_self">Volume 7 of the <i>Dark Shadows</i> Collection</a> DVD series.<br><br>The  first time viewers heard these words were on April 24, 1968. The  Haunted Mansion opened on August 9, 1969. Could the Disney Imagineers  been influenced by a hit TV show that a lot of people were watching over  a year before the attraction opened?<br><br>I couldn't say, but it's pretty interesting, no?<br><br><div align="center"><img src="http://www.mousetracksonline.com/newsblog/data/upimages/dark_shadows_vol_7.png" alt="" align="none" border="0"><br></div>]]></description>
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<pubDate>Thu, 23 May 2013 21:27:22 -0400</pubDate>
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<title><![CDATA[Mcstuffed with a healthy dose of imagination]]></title>
<link>http://mousetracksonline.com/blog.php?subaction=showfull&amp;id=1368060949&amp;archive=</link>
<description><![CDATA[
  The word "interactive" is tossed around in the entertainment world constantly, as established media faces off with online and other new markets, but <i>Doc McStuffins</i> delivers in a very special way.<br><br>McStuffins doesn't have the "pause and wait for answer" feature of such shows as <i>Dora the Explorer, Blue's Clues </i>and even Disney's <i>Mickey Mouse Clubhouse</i>. The interaction happens when -- hopefully at some time during the day -- the TV is turned off and kids begin to play on their own. <i>Doc McStuffins </i>is such an approachable concept, young girls and boys can let their imaginations take off, just as they see on this show.<br><br>The premise is that Doc solves problems, fixes toys and cures plush, as her toys come to life in her imagination. This is the kind of thing that is healthy and addresses the concerns about watching too much TV. Basic health and wellness issues are also woven into the stories.<br><br><div align="center"><img src="http://www.mousetracksonline.com/newsblog/data/upimages/mcstuffins_time_dvd.png" alt="" align="none" border="0"><br></div><br>This DVD, <a href="http://www.amazon.com/Doc-McStuffins-Time-Your-Checkup/dp/B00BJ4BU50/?_encoding=UTF8&amp;camp=1789&amp;creative=9325" target="_self">"Time for Your Checkup,"</a> contains these four two-segment episodes from the first season:<br><br>Episode 3 <br>Tea Party Tantrum / Blast Off!<br>March 26, 2012<br><br>Episode 5 <br>Gulpy, Gulpy Gators! / One Note Wonder<br>March 28, 2012<br><br>Episode 6<br>Arcade Escapade / Starry, Starry Night<br>March 29, 2012<br><br>Episode 26<br>Bronto Boo-Boos/Brontosaurus Breath<br>May 3, 2013<br><br>Episode 22 Doctoring the Doc / Hot Pursuit<br>August 17, 2012<br><br>This DVD is the second release, the first being entitled "Friendship is the Best Medicine," containing five two-segment episodes.<br>]]></description>
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<pubDate>Wed, 08 May 2013 20:55:49 -0400</pubDate>
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<title><![CDATA[Uncovering the truth behind psychedelic color of the '60s]]></title>
<link>http://mousetracksonline.com/blog.php?subaction=showfull&amp;id=1367680661&amp;archive=</link>
<description><![CDATA[
Renowned writer <a href="http://kenlevine.blogspot.com/" target="_self">Ken Levine</a> and (on Facebook) <a href="http://stusshow.com/" target="_self">Jeanine Kasun of stusshow.com</a> recently shared <a href="http://www.youtube.com/watch?v=OxsiItd1iN8" target="_self">this rare "I Love Lucy" footage</a>. It's one of many bonus features on the <b><a href="http://www.amazon.com/I-Love-Lucy-Seasons-7-9/dp/B008VNI9EW/?_encoding=UTF8&amp;camp=1789&amp;creative=9325" target="_self"><i>I Love Lucy</i> Seasons 7-9 DVD set</a> </b>(which is actually <i>The Lucy-Desi Comedy Hour,</i> which was actually <i>The Westinghouse Lucille Ball-Desi Arnaz Show</i>.<br><br><div align="center"><img src="http://www.mousetracksonline.com/newsblog/data/upimages/I_love_lucy_color_shot.png" alt="" align="none" border="0"><br></div><br>Several comments arose about whether black and white TV shows were designed for black and white viewing -- even though the sets and costumes were in color when they were shot.<br><br>Watching the Lucy footage again, I don't think there's much of a question as to whether the set and costume colors were selected for their look in black and white. <br><br>Even though the film is faded, the colors clearly are not created for the studio audience -- just as color programs in the mid-60s are kaleidoscopic to make the most of it -- including tinting Lucille Ball's hair to a specific orange for the cameras and lighting.<br><br>How is this for a theory -- did the psycho-delic look of the late 60s evolve from the counterculture, or from the advent of color TV? <br><br>Walt Disney changed the name of his show to the <i><a href="http://www.youtube.com/watch?v=-kBBVcgvMZU" target="_self">Wonderful World of Color</a> </i>in 1961 and moved to NBC, so he would have a color show and NBC/RCA could sell color more TV's. And look at how everyone dresses in one of those musical "Honeymooners" episodes for example. <br><br>Were the 60's really about groovin' to Peter Max, or marketing Max Factor?<br>]]></description>
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<pubDate>Sat, 04 May 2013 11:17:41 -0400</pubDate>
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<title><![CDATA[In a world we pass through every day yet seldom notice...]]></title>
<link>http://mousetracksonline.com/blog.php?subaction=showfull&amp;id=1366742915&amp;archive=</link>
<description><![CDATA[
 "Life depends on little things we take for granted." This opening title sets the stage for another of those jewels of natural filmmaking in the <b>Disneynature</b> series -- a series that deserves all the attention of tentpole blockbusters but are released quietly on Blu-ray/DVD and perhaps in a few theaters.<br><br>The latest is called <b><i><a href="http://www.amazon.com/Disneynature-Wings-Life-Blu-ray-DVD/dp/B00BGDCX0A/?_encoding=UTF8&amp;camp=1789&amp;creative=9325" target="_self">Wings of Life</a></i></b>, a title that barely encompasses the depth of what you experience in this brilliant film, shot in razor-sharp clarity, even when capturing microscopic miracles.<br><br><div align="center"><img src="http://www.mousetracksonline.com/newsblog/data/upimages/wings_of_life.png" alt="" align="none" border="0"><br></div><br>The title implies birds, but the story is about insects and flowers. Narrator<b> Meryl Streep</b>'s words are those of the plants, trees and flowers, explaining in first person how they all interact with each other. <br><br>"One might imagine that the most important life forms are large or flashy or smart," narrates Streep, "But it is love among the little things that runs the vast machinery of life." How true this is. (read my review of Lincoln for this same concept on a human level, as applied to the muckety-mucks and the folks in the trenches).<br><br>From bees to bats, hummingbirds to beetles (Paul is the cute one), the creatures are part of a spectacular spectrum of survival, balance and innate skill.<br><br>To me, the stars of the film are butterflies. There is one sequence in which what appears to be milliions of butterflies burst from trees and settle in the grasses. It must be seen to be believed. <br><br>None of this is done with CG or special effects, yet it is every bit as astonishing as a megablockbuster movie -- albeit with a soothing, ethereal tone, due in no small part to Streep, whose superb narration comes as no surprise to those of us who love her recording of <i>The Velveteen Rabbit </i>with pianist/composer <b>George Winston</b>.<br><br>No extras to speak of, unfortunately, since seeing how this was filmed would be fascinating. No matter, the color and majesty makes <i>Wings of Life</i> like a naturalistic Fantasia.<br>]]></description>
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<pubDate>Tue, 23 Apr 2013 14:48:35 -0400</pubDate>
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<title><![CDATA[One of The Most Unique Animated Features of Recent Years]]></title>
<link>http://mousetracksonline.com/blog.php?subaction=showfull&amp;id=1366143987&amp;archive=</link>
<description><![CDATA[
<p>I have to admit that I didn't know what to expect from<b><i> <a href="http://www.amazon.com/Monster-Paris-Blu-Ray-Digital-Copy/dp/B00AWHDF5S/?_encoding=UTF8&amp;camp=1789&amp;creative=9325" target="_self">A Monster in Paris</a></i></b>, a French production that combines story elements from <i>The Phantom of the Opera</i>, <i>Hugo</i>, <i>Frankenstein</i>, <i>King Kong</i>, <i>Moulin Rouge</i> and <i>La Vie En Rose</i>. If that sounds like a mixed bag, it is, but somehow director Bergeron and screenwriter&nbsp;StÃ&copy;phane Kazandjian&nbsp;make it work.</p>  <p>Even though the film recalls to mind some other works, it is one of the most  unique animated features of recent years because it doesn't conform to  the most common formulas, except perhaps after the leading lady (voiced  by Johnny Depp's ex-partner, Vanessa Paradis) discovers the true nature  of the monster -- and at one point, she says almost exactly the same  thing Belle did to Gaston about who the real monster was.</p>  <p>What sets it apart is the delightfully odd character design, ranging  from broad caricature to an almost Rankin/Bass look. More than that,  this is not your garden variety musical film. There are very few songs,  in fact, and most originate on a stage setting. But Sean Lennon, who  voices the creature, sings some very unconventional songs (as does Ms.  Paradis) that are hard to describe unless you hear them -- Danny Elfman  but not as dark, The Beatles but softer, Edith Piaf without suicidal  tendencies. The most conventional pop song comes at the end, perhaps the  one designed for airplay as so many such songs are.</p>  <p>The music, like the dialogue, doesn't always stay true to the early  20th century French style so meticulously rendered in the visuals.  Perhaps that was intentional too, as the story transcends its time and  could have happened today as well as yesterday.</p>  <p>Before I get to the other characters, I have to mention Catherine,  who is a rickety delivery truck so dilapidated it can't decide which way  to fall. Catherine isn't anthropomorphic, yet she steals the scenes in  which she rattles along. She is driven by insufferably narcissistic  Raoul (actor/musician Adam Goldberg), with his shy assistant, the  film-loving Emile (Jay Harrington of Hot in Cleveland).</p>  <p>The film does not rely on star voices. The most recognizable names in  the cast are solid featured actors like Catherine O'Hara, Bob Balaban  and John Huston's son Danny.</p><div align="center"><img src="http://www.mousetracksonline.com/newsblog/data/upimages/monster_paris_blu_ray.png" alt="" align="none" border="0"></div>  <p>The Blu-ray looks marvelous, capturing both the color and the grime  of urban Paris, and though released in 3-D it holds up well without it,  as there aren't a lot of scenes dependent on it.</p>  <p>Sure would have been nice to have lots of bonus features, even if  they had subtitles, as the Ghibli discs have. It is an artistically rich  film and seeing a gallery might have been nice. There doesn't even seem  to be a French language option. But budgets are an issue today, and  it's nice to have the film anyway.</p>]]></description>
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<pubDate>Tue, 16 Apr 2013 16:26:27 -0400</pubDate>
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<title><![CDATA[HOORAY! It's The Hair Bear Bunch!]]></title>
<link>http://mousetracksonline.com/blog.php?subaction=showfull&amp;id=1365944463&amp;archive=</link>
<description><![CDATA[
   <p><strong>Help! It's The Hair Bear Bunch! The Complete Series (1971)</strong></p> <blockquote><p>Produced and Directed by William Hanna and Joseph Barbera<br> Animation Director: Charles A. Nichols<br> Principal Voices: Daws Butler, Paul Winchell, Bill Callaway, John Stephenson, Joe E. Ross<br> Additional Voices: Hal Smith, Lennie Weinrib, Janet Waldo, Joan Gerber, Don Messick, Vic Perrin, Jeannine Brown<br> Music by Ted Nichols and Hoyt Curtin<br> Story: Joel Kane, Woody Kling, Howard Morgenstern, Joe Ruby, Ken Spears<br> Story Direction: Brad Case, Cullen Houghtaling, Earl Klein, Lew Marshall, George Singer, Paul Sommer, Warren Tufts<br> <a target="_blank" href="http://shop.warnerarchive.com/product/help+its+the+hair+bear+bunch+the+complete+series+1000383806.do?sortby=ourPicks&amp;from=Search">Warner Archive DVD</a> (March 14, 2013) </p></blockquote> <div align="center"><img src="http://www.mousetracksonline.com/newsblog/data/upimages/Hair_Bear_DVD.png" alt="" align="none" border="0"></div><p>"The  Hair Bear Bunch" is a throwback to "Yogi Bear," "Top Cat" and other  sitcom/funny animal cartoons that HB did in the early '60s expanding  the seven-minute short into a 23-minute episode. This show is  traditional Hanna-Barbera with little nods to the '70s, like Hair Bear's  afro hairdo and a few other groovy affectations.</p> <p>Daws Butler voices Hair Bear, not like he played Yogi, but with a  more Phil Silvers sound. If you have the "Top Cat in Robin Hood" HBR  record, it's that voice. Bill Callaway (one of the "Love, American  Style" Players and voice of Aquaman on "Superfriends") voices Square  Bear. Paul Winchell is Bubi, crossing Jerry Mahoney with the double-talk  gibberish much like Vaudeville comedian Al Kelly.</p> <p>The hapless villains are zoo keeper Eustace P. Peevly, voiced by Mr.  Slate/Dr. Quest voice veteran John Stephenson. You'll notice that his  performance is a little less extreme in the first episode. It became  more of a Joe Flynn type thereafter (perhaps Flynn commanded a high  salary, having just had a substantial supporting role in 1969's number  one film, "The Love Bug," as well as other Disney comedies). </p> <p>"Car 54, Where Are You?" co-star Joe E. Ross plays Botch, his first  voice for Hanna-Barbera (next up was the Chief on "Hong Kong Phooey").  It's another ironic twist in his odd career, playing a character  appealing to kids (who didn't love to say "Ooh! Ooh!?") while the real  life comedian was so, well...not, for kids or pretty much anyone else.  (Mark Evanier and Kliph Nesteroff's site offer several accounts of how "not.") Ross also has a small role in "The Love Bug."</p> <p>Other cool things about "The Hair Bear Bunch": their secret  convertible cave gadgets (most of them, like a kitchen and TV and  entertainment center, appear in the main title);  and the invisible  motorcycle that Square is able to start with no explanation (In one  episode, Hair says, "I don't know how he does it, but I'm glad it's his  thing!").</p> <p align="left">Ted  Nichols composed the original music for this series, but most of the  background was re-used cues from "The Magilla Gorilla Show," "Jonny  Quest, "Alice in Wonderland," "The Pebbles and Bamm-Bamm Show," "Josie  and the Pussycats," "Scooby-Doo" and "The Jetsons", giving the series  even more of a '60s feel. You just didn't hear much of the earlier music  anymore by the '70s. </p> <p>And here's a detail I never noticed until watching the series again.  In one episode, Square Bear refers to Hair Bear as "H.B." That would  make the title of series, and names of the main characters, the only  ones with the familiar acronym for "Hanna-Barbera."</p> <p>On the <a target="_blank" href="http://shop.warnerarchive.com/product/help+its+the+hair+bear+bunch+the+complete+series+1000383806.do?sortby=ourPicks&amp;from=Search">DVD set</a>,  Warner Archive included the "We'll be right back" commercial bumpers in  every episode, a nice touch. Some of the episodes begin with a "tease" sequence, then the theme song, the title card, followed by the  show (these are marked below with an asterisk*). Most episodes start  with the theme song, then what would have been the tease, the title card  and the rest of the show. (This was the case with several HB shows of  the era, including "Josie and the Pussycats." I guess it was up to the  networks whether they wanted a tease or not.)</p> <hr style="color: #c00; background-color: #c00; height: 1px; border: none;"> <p><b>"Hair Bear Bunch" Episode List </b><br></p><p>1. *<strong>Keep Your Keeper</strong> (September 11, 1971)<br> After the bears "Gaslight" Peevley into taking a vacation, a tougher zoo  keeper makes life tougher, so they scheme to bring him back. <br><i>Note:  Peevly's voice is not as Joe Flynn-ish; Yogi Bear reference: "Look at  the bears! Look at the bears!" </i></p> <p>2.     *<strong>Rare Bear Bungle</strong> (September 18, 1971)<br> The bears get a visit from a Gomer Pyle-like bear but they think he's a  spy for Peevley and want to get rid of him, then they learn he's worth  $50,000. <br><i>Note: Johnny Carson reference (Hair's "Mighty Art Players") and  spotlight on Bananas the Gorilla.</i></p> <p>3.     *<strong>Raffle Ruckus</strong> (September 25, 1971)<br> Hair rigs a raffle so he can own the zoo but as he learns how hard it is  to run it, he becomes more of a tyrant than Peevly. <br><i>Note: Spotlight on  Fumbo the elephant; this story is similar to those on "Flintstones" and "Honeymooners" episodes.</i></p> <p>4.     *<strong>Bridal Boo Boo</strong> (October 2, 1971)<br> Hair submits Peevly's name to a dating service and his perfect match turns out to be a terror to everyone at the zoo.<br> <i>Note: Spotlight on Pipsqueak the mouse; depiction of a female battle axe  would likely be considered today to be politically incorrect.</i></p> <p>5.     *N<strong>o Space Like Home</strong> (October 9, 1971)<br> Answering a vague ad, the bears blast off on a Mars mission with Botch  and Peevley, but land on another planet that makes Peevly their king.  <br><i>Note: One of series' best shows; it was made into View-Master and  talking View-Master reel sets.</i></p> <p> 6.     *<strong>Love Bug Bungle</strong> (October 16, 1971)<br> Bubi creates a love perfume to help a lovesick gorilla attract his  indifferent lady friend. Arnie suffers side effects, so Peevley sends  him to the zoo psychiatrist and then to the hospital mental ward, but he  and Botch are admitted, too.<br> <i>Note: Another standout episode with nice story structure; spotlight on  Hippy the hippo and Beaks the seagull; Gloria the gorilla is voiced by  Jeannine Brown, who also voiced Audio-Animatronics host "Bonnie Appetit"  in the early Epcot attraction, "Kitchen Kabaret."</i></p> <p>7.     <strong>Zoo You Later</strong> (October 23, 1971)<br> In a cross between The Bremen Town Musicians and Goldilocks, The bears  escape to visit the forest, make themselves at home in a cabin and are  kidnapped by bank robbers. <br><i>Note: Spotlight on Fur Face the lion; Hair  says "Say, what is this, Botch? Ambrosia of liquid pizza?" Botch  answers, "I call it...slop." </i></p> <p> 8.     *<strong>Ark Lark</strong> (November 6, 1971)<br> Hair and the zoo animals build an ark and escape to the open seas, where  they land on an luxury island resort called "Pleasure Island." They  disguise themselves as wealthy far eastern guests and later enter a  horse race.<br> <i>Note: The disguise gag recalls a Top Cat episode, "The Maharajah of Pookah-Jee."</i></p> <p> 9.     <strong>Gobs of Goballons</strong> (November 13, 1971)<br> The bears find a treasure map, but it's buried under Peevly's house.  <i>Note: When the bears disguise themselves as painters, Hair does what  sounds like an impression of Huckleberry Hound.</i></p> <p>10.  <strong>Panda Pandemonium</strong> (November 20, 1971)<br> The bears become babysitters for a little panda named Percy, who fell  from a train. <br><i>Note: The panda was supposed to be shipped to the St.  Louis zoo, just as Cindy Bear almost was in HB's first feature, "Hey  There, It's Yogi Bear".</i></p> <p>11.  <strong>Closed Circuit</strong> (November 27, 1971)<br> After the bears attempt escape through the laundry, Peevly installs  surveillance cameras. The bears discover them and put on a TV variety  show and invite Peevly to perform. <br><i>Note: Another of the series best;  the superintendent constantly clears his throat only in this episode  because Peevly does a stage impression of him (both are voiced by John  Stephenson); as the "Three Bear Night," Hair, Square and Bubi, sing a  goofy "Yeah, Yeah, Yeah" pop song.</i></p> <p>12.  <strong>The Bear Who Came to Dinner</strong> (December 4, 1971)<br> After getting caught trying a Trojan horse-like escape, the bears are  about to be sent to the national park when Square slips on a banana  peel. The bears hint at a lawsuit and take advantage of the situation,  but Peevly schemes to prove Square can really walk. <i>Note: A takeoff of  the famous play, The Man Who Came to Dinner.</i></p> <p>13.  <strong>Unbearable Peevly</strong> (December 11, 1971)<br> Peevly and Botch disguise themselves as bears to spy on the three  troublemakers. Not only do Hair and his pals see through the disguise  but they help the two phonies when they're captured for a circus.<br> <i>Note: One of the trainers, with a voice like a stern Huckleberry, could  be accused of animal cruelty for whipping the bears, faux or not.</i></p> <p>14.  <strong>Goldilocks and the Three Bears</strong> (December 18, 1971)<br> The bears visit a TV studio where Square's idol, Twinkles Sunshine stars  as Goldilocks. She's such a tyrant (like the child star in "Cats Don't  Dance"), the actors playing the bears quit. Hair, Bubi and Square join  the cast, so does Peevly as the "Evil Prince." <i>Note: If Hanna-Barbera  were still making HBR Cartoon Series Records by 1971, this could have  been one of those albums, since many of them were either retellings or  spoofs of classic stories. Does anyone know if the name of the studio in  this episode "Pinchpenny Studios" was a gentle jab at HB?</i></p> <p>15.  <strong>The Diet Caper</strong> (January 1, 1972)<br> After the bears steal his food, Peevly puts them on a starvation diet.  They build a tunnel hoping to come up in a pizza parlor, but instead  find themselves in a carnival haunted house. <br><i>Note: This is like a Yogi  Bear cartoon (including the bow-and-arrow with food-stealing suction cup  gag) that becomes a Scooby-Doo episode (complete with Scooby music);  the haunted house, instead of containing a crime-solving mystery,  provides a distraction for Botch and Peevly so the bears can steal their  food again; spotlight on Specs the Mole.</i></p> <p>16.  <strong>King Klong Versus the Masked Marvel</strong> (January 8, 1971)<br> Hair convinces Bananas to wrestle with the Masked Marvel to win $500. At  the same time, Botch fills in for a sick Marvel and wins two matches,  is defeated by Bananas, but wins by default when Peevly exposes Bananas  as a gorilla.<br> <i>Note: cause-and-effect gags in place of wrestling violence (which was  becoming a hot TV issue at this time); a cameo by another battle-axe.</i></p>]]></description>
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<pubDate>Sun, 14 Apr 2013 09:01:03 -0400</pubDate>
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<title><![CDATA[Buona notte, mi cara, mi amore...our Annette]]></title>
<link>http://mousetracksonline.com/blog.php?subaction=showfull&amp;id=1365449496&amp;archive=</link>
<description><![CDATA[
 My dad died at age 70 after decades of slowly debilitating illness. Today, so did Annette. She was an icon, seemed like a member of the family -- and yes, she was an extraordinarily talented woman with an appeal that was as undefinable as that of every legend.<br><br><div align="center"><img src="http://www.mousetracksonline.com/newsblog/data/upimages/annette_pensive.png" alt="" align="none" border="0"><br></div><br>Her impact on American culture -- and Disney heritage -- should not be underestimated. The world is a better place for her charming, unassuming presence.<br><br>I can only speak from my heart. Annette will still be with us through her films and music, and the memories of where we were when we enjoyed them. I am grateful for being able to have lived during the period in which she flourished, and have felt sorrow at her illness. Now she is free and i know where she is now. If I'm good, maybe I can say hello to her there someday.<br>]]></description>
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<pubDate>Mon, 08 Apr 2013 15:31:36 -0400</pubDate>
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<title><![CDATA[Brush with greatness: Pat Carroll]]></title>
<link>http://mousetracksonline.com/blog.php?subaction=showfull&amp;id=1365343829&amp;archive=</link>
<description><![CDATA[
<div align="center"><img src="http://www.mousetracksonline.com/newsblog/data/upimages/ursula.png" alt="" align="none" border="0"><br></div><br>I met the great Pat Carroll at an event that celebrated Disney animation and she was there because she was (and still is in recent projects) the voice of Ursula in Little Mermaid. What a joy she is, not only the talent, the timing, but so lovely to meet.<br><br>She signed my Rodgers and Hammerstein Cinderella album. She was the stepsister whose knee creaked. So she signed the album cover, "My knee doesn't creak anymore -- I had it replaced." I'm sure she's signed it that way before, but I treasure it.<br><br><div align="center"><img src="http://www.mousetracksonline.com/newsblog/data/upimages/pat_carroll_on_game_show.png" alt="" align="none" border="0"></div>]]></description>
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<pubDate>Sun, 07 Apr 2013 10:10:29 -0400</pubDate>
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<title><![CDATA["Lincoln" isn't really about Lincoln]]></title>
<link>http://mousetracksonline.com/blog.php?subaction=showfull&amp;id=1365206591&amp;archive=</link>
<description><![CDATA[
 <div align="center"><img src="http://www.mousetracksonline.com/newsblog/data/upimages/Lincoln_blu_ray.png" alt="" align="none" border="0"><br></div><br>Steven Spielberg's superspectacular <i>Lincoln</i> looks great on Blu-ray, and actually works well within the intimacy of the home screen. With all its battle scenes and meticulous costuming and art direction, ultimately it's a people story brimming with characters and human conflicts. The trademark Spielberg back-lighting and other touches are very much in evidence, but the director does not take center stage and allows his cast to shine.<br><br>And shine they do. I can't add anything to the praise earned by Daniel Day-Lewis, who redefined Lincoln to millions who either remember early depictions by Henry Fonda or Raymond Massey, TV miniseries with actors like Hal Holbrook (who appears in this film as well) and perhaps most significantly, Royal Dano's voice and the Audio-Animatronics version at Disney Parks on both coasts -- a characterization that has been in the mass mindset since the 1964 New York World's Fair.<br><br>Lots has been said about Lincoln's voice, but I had no problem with that. He also comes off as a little bit of an eccentric, whose numerous stories and long jokes cause sighs and eye rolls among his staff and associates. In Literature 101 terms, he would be called the "Christ-like figure," speaking in parables to make his points and even dying at the end (hope that's not a spoiler!)<br><br>Sally Field, because she simply cannot be unlikable, brings that quality to Mary Todd Lincoln. She's never a villain or a harpy. She doesn't quite disappear into her role as Day-Lewis does -- for Pete's sake, it's Sally Field, whom we've loved for over four decades! Perhaps for that reason, and some powerful acting, few could create the Mary that she does. The argument scene between husband and wife is electrifying.<br><br>Why did I say this movie isn't about Lincoln? Because I believe it's more about the people few of us know about. From the African-American soldiers to those three frazzled men who risk wrath and even shooting to get support for the Amendment. Tommy Lee Jones' character isn't legendary, yet he spent his life trying to abolish slavery. And the remarkable David Strathairn -- perhaps Hollywood's most underrated actor -- is a standout as Secretary of State Seward. Everyone, regardless of their walk of life, can share the accomplishment. Lincoln of course, is the ultimate in leadership, but it's nice to see the little guys and ladies get their spotlight, too.<br><br>There is no commentary. Like War Horse, Spielberg offers his comments in bonus documentaries. Unlike the War Horse home release, the docs are shorter, but certainly fascinating and worth watching. The DVD only contains one short bonus feature; the two-disc Blu-ray contains more material.<br>]]></description>
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<pubDate>Fri, 05 Apr 2013 20:03:11 -0400</pubDate>
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<title><![CDATA[And here's to you, Jackie Robinson]]></title>
<link>http://mousetracksonline.com/blog.php?subaction=showfull&amp;id=1365028167&amp;archive=</link>
<description><![CDATA[
Before you go see the upcoming big screen "42," starring <b>Harrison Ford, Christopher Meloni </b>and <b>Chadwick Boseman</b> as Jackie Robinson, you may want to see this award-winning documentary about the real Robinson. <b><a href="http://www.amazon.com/Jackie-Robinson-Story-Stephen-Hill/dp/B00AWHDFFS/?_encoding=UTF8&amp;camp=1789&amp;creative=9325" target="_self">"Jackie Robinson: My Story"</a></b> tells his life story ithrough rare footage and photographs from real life.<br><div align="center"><img src="http://www.mousetracksonline.com/newsblog/data/upimages/robinson_my_story.png" alt="" align="none" border="0"><br></div><br>And it gives you an intense performance of <b>Stephen Hill</b> (<i>Dead Man Down</i>). "My Story" is just that. In a locker room setting, Hill as Robinson materializes to discuss his life and times directly to the camera -- to you, to young people. <br><br>This is a remarkable story about a towering American icon, not only of baseball, but of political activism, civil rights, the media and the changing times. The account is direct and honest, not only about Robinson's struggle to equality that seemed impossible at the time, but also of his issues with his people, his family and his son.<br><br>Hill's performance is understated, straightforward and matter-of-fact, which makes the moment he reflects on the loss of his son all the more effective. It should be noted that some language, particular racial slurs, are heard in this film, vicious things that were said in a less enlightened time.<br><br>As a production of limited budget but a lot of heart, "My Story" makes fine use of its source material. Even the music seems to fit the sequences.<br><br>The bonus feature, "<b>Jackie Robinson: An American Hero</b>" is a shorter version of the feature, using much of the same sources and a condensed edition of the same script. Perhaps this was created for groups and schools. It contains none of the offensive phrases heard in the other film.<br><br><b>Warren Schaeffer,</b> who was also Director of Photography of "My Story," narrates offscreen. This distances the viewer from the impact of the dramatic story when compared to Hill speaking right to us in "My Story." Schaeffer does an earnest job, but it cannot compare to the effect carried off in the longer film. One wonders why they simply didn't edit "My Story" down, but perhaps the short film was made first.<br><br>It's worth mentioning the there was also a 1950 movie called <i>The Jackie Robinson Story </i>with the real Robinson playing himself. Considering his influence on history, it's about time a new movie is being released to theaters. This video makes a nice companion. Either way, this is a story worth telling and remembering.<br>]]></description>
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<pubDate>Wed, 03 Apr 2013 18:29:27 -0400</pubDate>
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